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SPEAK ON IT - The Monologue Coach

SPEAK ON IT - The Monologue Coach

$37

Most monologue books hand you the words and walk away.

You've seen them. Forty pieces, a hundred pieces, a table of contents and nothing else. You pick one that sounds like you, you read it out loud a few times, and then you're standing in your room with two pages of text and no idea where it actually turns.

That's not a material problem. That's a coaching problem.

"This is coaching. It just happens to have a DCBB original monologue attached"

So we built the coaching in.

SPEAK ON IT is The Monologue Coach. Every single piece in this collection opens with a full breakdown page — before you read one line of dialogue.

Not a summary. Not a one-line description of the character. An actual working page that tells you how to move through the piece the same way a coach sitting across from you would.

Here's what comes with every monologue:

TONE Where the piece sits — dramatic, comedic, and how light or heavy it plays. So you know within three seconds whether it fits the room you're walking into.

SITUATION Who you are, what just happened, and what you want. Written out in full. No inventing circumstances, no guessing at backstory — the stakes are already on the page.

EMOTIONAL BEATS — MAPPED IN ORDER This is the part nobody else gives you. The entire arc, numbered from top to bottom.

Defensive → Justifying → Appealing → Anger / Hurt → Drop / Realization → Accountability → Acceptance

You can see the turns before you ever open your mouth. That's the difference between performing a monologue and getting lost in the middle of one.

KEY FOCUS The specific ways actors blow this particular piece — and what to do instead. Things like playing attitude without disrespect, or showing growth through choice, not apology theatrics.

This is the part a coach charges by the hour for.

AGE RANGE + RUN TIME So you know it fits before you commit a month to memorizing it.

Written for every age, and built to be flipped.

There's no kids section and no adults section, because that's not how real actors work.

A thirteen-year-old can take a piece written older and flip it. An adult can find something in a younger voice and play it straight. Every breakdown lists a suggested age range with maturity notes, a starting point, not a fence.

You get the whole collection. You decide what's yours.

What you get

The Stage is Waiting - Go Own It.

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