MJ SIGNATURE LUTs

The warm, filmic grade behind my award winning films. Clean blacks, soft fall-off, skin that glows.

20% off to celebrate 100 sales. Ends 31 October.

Works with: ALEXA 35, ARRI, Blackmagic, Canon, DJI, Panasonic, RED and Sony. In Resolve, Premiere, Final Cut, CapCut, or anything that takes a .cube.

This is the exact colour I use on my own documentary work, and it took three years to get right. I didn't want to put out just another "hey, this works" LUT, so I refined the final look in conjunction with a colour scientist to lock it in properly. That's where the clean blacks come from, and the way the shadows roll into the highlights, no hard clipping, no muddy mids.

Tuned for your camera. Most packs hand you one generic set and hope it holds. I've built the workflow for each camera's LOG specifically, so it lands on my look properly instead of approximately. You load the set made for your camera and it just fits.

Monitor it on set. You also get monitoring LUTs, so you can dial your look in on location, in the field, wherever you're shooting, and see the grade live while you roll. Frame to your final look on the day, then drop the matching grade on in post. No more guessing what your footage becomes.

One drop, one click. Set your exposure and white balance, nudge to taste, and you've got a finished look in minutes. LOG to Rec709 to my signature grade in a single move. What you see on this page is exactly what you get, in Premiere Pro, Final Cut, Resolve or any other editing software.

What you get, for every camera. Three creative looks: my signature D60, a warmer D55 and a cooler D65. A lower contrast version of each if you want it more neutral. Plus a monitoring LUT for on set.

Shooting on something not listed? Fujifilm, Nikon, iPhone, anything else. Message me before you buy and I'll tell you straight if it'll work.

Want the Resolve PowerGrade too? The Ultimate Pack gets you these LUTs plus my full node tree for $47.99.

The last grade you'll reach for. Get the Look.