MJ Signature Ultimate Pack

Shoot it, monitor it, grade it. My full colour pipeline in one download.

Everything I use on my own documentary work, from the monitor on set to the final grade. The complete LUT pack, the monitoring LUTs, and the Resolve PowerGrade, for every supported camera.

On set. Load the monitoring LUTs into your camera or field monitor and see the look live while you roll. Frame to your final image on the day instead of guessing what the footage becomes.

In any edit suite. Drop the .cube on in Premiere, Final Cut or CapCut and my exact grade lands in a click. Three creative looks per camera, my signature D60, a warmer D55 and a cooler D65. Cut a rough on a laptop in the field, post a reel from your phone, and it holds up the same everywhere.

In Resolve, opened up. The PowerGrade gives you the same grade as a full node tree, every stage labelled and live in your Gallery. The LUT inside it is neutral, so the creative temperature sits on its own node above the conversion. Switch looks in a click, ride the strength with one slider, or rebuild a section around what you actually shot. Nothing baked, nothing hidden.

One look, all the way through. Same grade underneath at every stage, so what you monitored on location is what you cut that night and what you finish in the suite. No colour shift between the field and the final.

Built around each camera's LOG specifically, not averaged across all of them. ALEXA 35, ARRI, Blackmagic, Canon, DJI, Panasonic, RED and Sony.

Everything I use, in one download. The last grade you'll reach for. Get the Look.